01 — Mira Lindqvist
Everything Became a Grid and Nobody Noticed
Swiss modernism won so completely that we stopped being able to see it.
Open any app on your phone. Now squint. What you are looking at is a 1961 poster grid from Basel: modular columns, objective typography, colour used as signal rather than decoration. Josef Müller-Brockmann never shipped a design system, but every design system ships him.
The grid won so completely that breaking it is now the only move left that reads as design.
The uncomfortable question for working UX designers: if every product converges on the same rational layout, the same type scale, the same 8-point spacing, what exactly are we being paid to decide? The answer this issue keeps arriving at — taste is the last unautomatable deliverable.